I ended my 2018 by watching Nathicharami on 31st December. It was one of the best things I did on new year’s eve.
I must admit, the desire to see the movie was because I heard the music before and loved every bit of it. Then I saw the official trailer and my curiosity was piqued. I do not know of other Kannada directors having explored the subject of what two young Indian women go through in a particular phase in their lives. I saw the movie & spoke to some friends who had seen it. Most of them emphasised on the theme as “awakened sexuality of the young widow”. I beg to differ here.
To me, the entire experience was going through Gowri’s journey after she becomes a widow. It is about how she battles loneliness, sleepless nights, parents who pressurise her to get married again (perhaps for the wrong reasons), a predatory boss and her own desires that make her feel guilty. Salvation comes in the form of two office colleagues & friends who help her with a dating app and connect her to Dr Carvalho, the psychiatrist. He helps her peel the layers of her emotions, and, deal with the mental conflicts. Loved his metaphors and one liners!
A parallel story unfolds with Suma, an educated woman from a village, yearning for her husband, Suresh’s love & affection. I appreciated the unfurling of this marital relationship, where Suresh is always condescending in his behaviour towards Suma and criticises her supposed “village mentality”. The director, beautifully leads you to question Suresh’s frustration at one level & audacity at another level, because he also displays “village mentality” in the movie.
Yes, sexual desires or sexuality has been used as a subject to bring out deeper issues like guilt, societal reaction & gender sensitivity. Nathicharami is metaphorical, refreshing & relevant. Metaphorical, because it shows Gowri anchored to a time & relationship in the past. Refreshing, because it talks about consent for sex in a marital relationship & sensitively explores predefined notions of morality & desires. Relevant, simply because it opens up a sea of questions that ordinary women today face in the many facets of relationships.
The movie by award winning director, Mansore, has good cinematography and amazing music by Bindhu Malini. Her unique voice is what you hear in the songs and her ease of combining various musical instruments to create hauntingly beautiful music is testimony to her musical expertise. The use of the trombone, drums & guitar is melodious and it is the kind of music I would love to play while I sit in my balcony or on my terrace, sipping a glass of wine and watch the sun go down & the moon come up with the stars shining.
I wish more and more directors, producers and actors give us such wonderfully crafted & engaging movies like Nathicharami. We will promise to stand by them.